![]() ![]() I felt I hadn’t watched Frank Perry’s film so much as I’d watched other people watching it, and while there was both pleasure and fascination in that spectatorship, the film felt a little lost in the mix. A generation of viewers had already rehabilitated Mommie Dearest from its initial critical infamy, and determined how it should thereon be enjoyed. I left the screening having had a good time, while also feeling slightly left out of the joke.
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